#HERstoryCounts

Hey lovers! I’ve been dreaming of a series of posts that feature real people, just like you and me, who are following their own passions. As this idea was forming in my over-worked brain, a gorgeous opportunity just landed in my lap, by way of a dear friend and an incredible creative force, Melissa Major. M turned me on to Jennifer Neales, who is hard at work collaborating with a posse of women (or womyn, as she prefers) to create a unique piece of theater that will hit the stage in Toronto on April 22nd. #HERstoryCounts is a series of monologues, autobiographical in nature, crafted and performed by a fierce and diverse collective of female performers. One look at their Indigogo campaign and I quickly realized I had stumbled into the gorgeous, switched-on, inspiring and empowering antidote to all of the soul-crushing lady-hate the Internet has been spewing at me of late. I’m happy to have Jennifer featured here in a guest interview, to talk about this remarkable piece, and the incredible creatrixes responsible for birthing it.

Are you as jazzed and inspired as I was after watching this video? Who wants to be my date to see this show?

Meet Jennifer Neales

Jennifer Neales

Jennifer Neales has been acting for over 20 years. Some of her selected credits are: Tina in the Off-Broadway Musical “Ruthless”; Jennie Malone in “Chapter Two” touring in Japan; Roberta in “Love and Human Extinction” (Fringe Festival’s Best Actor 2009); Evelyn in “The Shape of Things” (2012 Fringe Festival’s Best of Fringe – Toronto Centre for the Performing Arts), Acting and touring with Trey Anthony Productions as Suzy in “’da Kink in My Hair” in New York City, North Carolina, Texas, North West Territories, Ottawa, Mississauga and Toronto. Jennifer is Artist Producer and Founder of HERstory Counts.

Can you give us an overview of your personal creative experience, and how it lead you to where you are in your career today?

JN: I have always had a love of the stage. Dancing came first, followed swiftly by acting and singing. I knew from a very early age that there was no other life for me. I was fortunate to study theatre at the University of Guelph with Judith Thompson, Kim Renders, and Ric Knowles, to name a few. This gave me a love of writing, critical thinking and awareness, and directing. Having acted on stages all over North America and in Japan also taught me more and more about the kind of theatre in which I wanted to be involved, promote, and attend. After being back in Canada permanently for almost 10 years now, I have come to realize the severe lack of diversity at the creation level in most of our theatre houses. What we need is a diversity of perspective. It is LONG overdue.

1. What was the catalyst for creating this piece? Was there something specific in your life and experience, or did it grow from a general need?

JN: The catalyst for creating HERstory Counts began to take form at the end of 2015. I had just come back from another incredible tour as an actor in trey anthony’s play ‘da Kink in My Hair which always teaches me about standing in my truth even in the face of adversity, and trey, her partner Janet, and I went to see an incredible piece of theatre called Nirbhaya #endthesilence curated by Nightwood Theatre. This piece of theatre changed something in me… It woke something in me. Womyn’s voices are still being silenced all over the world. Here. In Toronto. In our families. Within our educational system. In judicial institutions. EVERYWHERE. And, finally, in the middle of January, Matthew Jocelyn announced the 2016-17 season for The Canadian Stage and there was not one person at the creation level (creators, writers, directors) who identified as a person of colour. That’s when I knew my production would be HERstory Counts. Our inaugural production features womyn from all different backgrounds writing their own stories. Real stories from lived experiences.

Susan A. Lock

Susan A. Lock has just finished performing with New Harlem Productions (Dark Love). She has also worked with Harley Dog Productions (On the Other Side of the World), Call Me Scotty Productions (Eating Pomegranates Naked), Eventual Ashes (Hiding Words (for you)), fu-GEN (Paper Series), Convergence Theatre (Auto Show). She started her professional career in Prague, Czech Republic with Studio Ypsilon and was a member for four and a half years. She graduated from the Theatre Academy of Prague (DAMU) where she received a Czech Masters in Acting, specializing in alternative and puppet theatre.

2. How did you go about gathering the other women you are collaborating with? Had you worked with any of them prior to each project? If so, in what capacity?

JN: I am so grateful to every single womyn who is on board with HERstory Counts. I have worked with or seen each of the creators on stage. Specifically, I have performed with Tennille Read in The Drowning Girls at the Alumnae Theatre. I am fortunate to say I consider each of the womyn all very good friends as well.

 

Sundance is over the moon and back to be part of this beautiful adventure, I am blessed and grateful to be working with these intelligent and brave women. Sundance has been working in theatre since the age of 10. She attended Humber College’s Theatre- Performance-Program 2008-2011. Her recent selected credits include My Lakeshore, My Home at the Toronto Cultural Hotspot Festival 2015; Soul-o Artist in Tracey Erin Smith’s Soulo Festival. Writing is her passion, her purpose and the key ingredient to what makes her happy on a daily basis. Sundance is thrilled to have an opportunity to share her life’s journey, because #HERstoryCounts..Sundance Nagrial has been working in theatre since the age of 10. She attended Humber College’s Theatre- Performance-Program 2008-2011. Her recent selected credits include My Lakeshore, My Home at the Toronto Cultural Hotspot Festival 2015; Soul-o Artist in Tracey Erin Smith’s Soulo Festival. Writing is her passion, her purpose and the key ingredient to what makes her happy on a daily basis. Sundance isthrilled to have an opportunity to share her life’s journey, because #HERstoryCounts.

3. What is the greatest strength that each of the collaborators brings to this project?

JN: Evangelia brings her fire and strength of character. Susan brings her clarity and physical theatre training. Sundance brings her youthful playfulness. Tennille brings her charisma and dedication to telling a story. Janet brings her poetic heart. Ordena brings her humour and her nurturing nature. And, last (but only alphabetically), Kelly brings her playfulness and her sensitivity.

Ordena Stephens-Thompson

Ordena Stephens-Thompson is an actress/performer who has worked extensively in television and is a veteran of the theatre. Her theatre credits include, Timon of Athens, Twelfth Night, Enemy of the People; Stratford Festival, Adventures of a Black Girl in Search of God, ‘da kink in my hair; Mervish Productions, Yellowman, Who Knew Granny; Obsidian Theatre/Factory The Real McCoy; GCTC/Factory, Another Africa; Canadian Stage. Selected television and film credits
include, 10,000 Black men Name George, New in Town, Our America, ‘da kink in my hair, Rookie Blue, Committed, The Secret Life of Marilyn Monroe. Ordena is also a wife, mother of two and a creator of decorative concepts.

 

Janet Romero-Leiva is a queer, feminist, working class latinx writer, performer and visual artist inspired by wood, paper, nature, love, and her lived experience. spanish on her tongue (en dos lenguas), her one-womyn show, focuses on issues of displacement, denied aboriginality, queer identity and living in between Spanish and English.

Janet Romero-Leiva is a queer, feminist, working class latinx writer, performer and visual artist
inspired by wood, paper, nature, love, and her lived experience. spanish on her tongue (en dos lenguas), her one-womyn show, focuses on issues of displacement, denied aboriginality, queer identity and living in between Spanish and English.

JB: I would be remiss if I didn’t mention the Dramaturges, our Social Media Specialist, and my amazing Assistant Producer. Jenna brings her calm and steady hand. Caitlin brings her commitment to telling our stories. Melanie brings her astute awareness and direction. Melissa brings her story-telling experience and eye for detail. And Franny brings her mind-opening questions and sense of wonder.

Kelly Wilk

Kelly Wilk is a Freelance Writer for PinkPlayMags and avid blogger at www.bravecreativeme.com. In February of 2016 Kelly showcased her adult picture book on loss Oh The Places I’ve Been, from her project The High Flying Adventures of Captain Grief, www.captaingrief.com. She played Martha Shelley in the Showstoppers 2015 Singingout! Tribute to Broadway. Kelly also published a short story Going to Market, in Canadian Food Journal Beer and Buttertarts, Vol 1, Stained Pages Press, 2013

 

Melissa Major has been the Artistic Director of The Cheshire Unicorn Theatre Co. since its inception in 2002. She has worked on over 75 stage productions and has had work produced across Canada, USA, Hong Kong and India. Selected theatre credits include: Writer/Director of Everyday Oppressions (Cheshire Unicorn), Writer/Director of ACTORS! Canadian Actors Up Close and Personal (Cheshire Unicorn / The Winchester), Infinitum (Cheshire Unicorn), Writer of A Double-Edged Word (Magnetic North), Director of The Saddest Girl in the World (Cheshire Unicorn), Writer / Performer of The Wanda T. Grimsby Interactive Theatrical Detective Case (Mel Lastman Square), Director of Kid Cosmic (Cheshire Unicorn), co-writer/actor with Reza Jacobs in Floozy: The Musical (Mellow Brown), writer/actor of Unicorn Horns (Cheshire Unicorn at Nuit Blanche; IDEA 2007 World Congress of Theatre- Hong Kong; & Theatre Passe Muraille) and writer of Art is a Cupboard (The Sweat Company).

Melissa Major has been the Artistic Director of The Cheshire Unicorn Theatre Co. since its inception in 2002. She has worked on over 75 stage productions and has had work produced across Canada, USA, Hong Kong and India. Selected theatre credits include: Writer/Director of Everyday Oppressions (Cheshire Unicorn), Writer/Director of ACTORS! Canadian Actors Up Close and Personal (Cheshire Unicorn / The Winchester), Infinitum (Cheshire Unicorn), Writer of A Double-Edged Word (Magnetic North), Director of The Saddest Girl in the World (Cheshire Unicorn), Writer / Performer of The Wanda T. Grimsby Interactive Theatrical Detective Case (Mel Lastman Square), Director of Kid Cosmic (Cheshire Unicorn), co-writer/actor with Reza Jacobs in Floozy: The Musical (Mellow Brown), writer/actor of Unicorn Horns (Cheshire Unicorn at Nuit Blanche; IDEA 2007 World Congress of Theatre- Hong Kong; & Theatre Passe Muraille) and writer of Art is a Cupboard (The Sweat Company).

4. How do you protect your own heart when working on a piece that is raw and emotional?

JN: Protecting our hearts is something I have worked very hard to do. We begin each of our writing rooms with a check in. We sit together and take a few moments to express anything we need to leave at the door in order to be able to create. At the end of each writing room we complete with acknowledgements. I ask each of the womyn what they’d like to be acknowledged for before we leave the space. Each of us treat the other with the utmost respect, and even more so, we treat each others’ work with a tenderness and a reverence. For the most part it has become quite a cathartic and healing experience for these incredible womyn, and for myself.

Evangelia is a performing artist based in Toronto. Notable stage credits include the Sterling Award-winning production of Hairspray (Mayfield Theatre), Buddy–The Buddy Holly Story (Theatre North West), the Jessie Award-winning production of Avenue Q (Arts Club), The Adventures of a Black Girl in Search of God (NAC/Centaur Theatre/BTW). She recently appeared on FOX’s Minority Report, and NBC’s Heroes Reborn. Evangelia is a graduate of the Randolph Academy for the Performing Arts, and holds a Bachelor of Arts Honours in Music and Drama from Queen’s University.

Evangelia is a performing artist based in Toronto. Notable stage credits include the Sterling Award-winning production of Hairspray (Mayfield Theatre), Buddy–The Buddy Holly Story (Theatre North West), the Jessie Award-winning production of Avenue Q (Arts Club), The Adventures of a Black Girl in Search of God (NAC/Centaur Theatre/BTW). She recently appeared on FOX’s Minority Report, and NBC’s Heroes Reborn. Evangelia is a graduate of the Randolph Academy for the Performing Arts, and holds a Bachelor of Arts Honours in Music and Drama from Queen’s University.

Tennille Read

Tennille Read is a Toronto based actor and Co-Artistic Producer of Theatre Inamorata. Select theatre credits include This Hotel (Talk is Free Theatre), Delicacy (Centaur Theatre, Summerworks), Hanger (Toronto Fringe Festival), Birth (Campbell House), No Exit (Tapestry New Opera Studio) Madeline Robin(Lemon Tree Studio), and The Drowning Girls (Alumnae Theatre). Film and
television credits include Heroes Reborn (NBC), Shadowhunters (CBS Family), Adam’s
Testament and Entangled. Tennille is a graduate of George Brown Theatre School, and Queen’s
University. 

5. What do you hope your audience takes away from the experience of #HERstorycounts?

JN: What I hope the audience takes away is the importance of womyn’s stories in the world; what it means to have more visibility; what it means to have womyn of all ages, sizes, races, languages represented on stage. And, I hope the audience leaves the space with a fuller appreciation of their own stories.

Melanie is a Toronto-based actor, producer, and writer. As Co-Artistic Producer of Headstrong Collective, she wrote the critically-acclaimed one-person show Licking Knives, the story of a young woman’s journey from a stick in the Ukrainian mud to the City of Lights. Favourite credits include Tybalt in Romeo and (her) Juliet (Headstrong Collective), the title role in Andromache (Theatre Erindale), andMay in S-27 (Intersection Theatre). Please visit melaniehrymak.com or follow her on Twitter (@melaniehrymak).

Melanie Hrymak is a Toronto-based actor, producer, and writer. As Co-Artistic Producer of Headstrong Collective, she wrote the critically-acclaimed one-person show Licking Knives, the story of a young woman’s journey from a stick in the Ukrainian mud to the City of Lights. Favourite credits include Tybalt in Romeo and (her) Juliet (Headstrong Collective), the title role in Andromache (Theatre Erindale), andMay in S-27 (Intersection Theatre). Please visit melaniehrymak.com or follow her on Twitter (@melaniehrymak).

6. If you could chose one gift from the experience of creating this project, what would that be, and how has this gift impacted your every day life?

JN: Only ONE gift?? I don’t know how to narrow all of the gifts down into naming just one. Here goes: One gift I have been given through the experience of creating this project is the power of womyn working together creating their own individual work, and supporting each other through the process. This gift has impacted my every day life in the subtle and profound ways. It makes me appreciate my family, my sisters, my mothers (I have 4! Mom, Stepmom, Mom-in-Law, and Stepmom-In-Law.) and my wife so much more. It has changed the way I see my 4 and 2 year old nieces and what I want for them both in the world, and HERstory Counts in some small way, may be able to help them see how necessary they both are in the world.

Franny McCabe-Bennett Bio Franny McCabe-Bennett is a multidisciplinary artist who spends her time on stage as an actor, comedian and singer and spends her time off stage as a director, producer, and administrator. Franny is also a co-creator/performer with the award-winning feminist comedy theatre group Two Juliets. She is very excited to be part of this important project. More info at www.frannymcb.com

Franny McCabe-Bennett is a multidisciplinary artist who spends her time on stage as an actor, comedian and singer and spends her time off stage as a director, producer, and administrator. Franny is also a co-creator/performer with the award-winning feminist comedy theatre group Two Juliets. She is very excited to be part of this important project. More info at www.frannymcb.com

 

Caitlin Cooke is an energetic member of the Toronto Arts community. She previously studied musical theatre, clown, and Shakespeare performance at Westmount Collegiate Institute in their ArtsWestmount Drama program. Theatre credits for Ryerson Theatre include: Stage Manager, Choreographic Works; Vocalist, Bound to the Rocks, New Voices Festival, Hair and Makeup Supervisor Assistant Stage Manager, Confessions of a Red Headed Coffee Shop Girl, Toronto Fringe Festival, Wardrobe Supervisor, New Voices Festival; Assistant Stage Manager, La Ronde, Vocalist/Chorus, One Song Glory, Acting Up Stage Company. She currently attends Ryerson University for the Performance Production program. 

Find the #HERstoryCounts IndieGogo Campaign Here

Get tickets to see #HERstoryCounts (April 22, 23, 24) Here

 

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